Tuesday 5 May 2015

NATIONALISM IN INDIA—BY RABINDRANATH TAGORE

Why does Tagore associate commercialism with barbarity of ugly decorations ?                                                                         
         
 Tagore associates commercialism with its barbarity of ugly decorations. It is so because modern commercialism has set up the ideal of power rather than of perfection. It is a cult of self seeking naked shamelessness. It has the weapon of exploitation by which it exterminates its rivals. This economic dragon sucks the life blood of the persons who are unable to stand competition. It is a terrible menace to all humanity. Indiscriminate production and beastly consumption are the two deities of commercialism. Its only object is to produce and consume. It has pity neither for the beauty in nature nor for living human beings. It is ruthlessly ready to crush beauty and life without a moment’s hesitation. It is ever ready to mould them into money. It was this vulgarity of commerce which created contempt and detachment from wealth in our ancient history. Our ancestors soon realized that excess of wealth makes a man brute, callous and indifferent towards the poor. But in this scientific age, Mammon, the god of money has usurped the throne and insults the higher instincts of man. He has banished beauty and noble sentiments from his surroundings. It is this Mammon who is ruling the mankind in the present age. We seem to have acquiesced to his mighty power. Our imagination is groveling in the dust and we are licking in his mighty feet. We forget that this dragon doesn’t understand the language of truth and beauty. Beauty is like the signature which our creator has stamped upon His works. Commerce lacks the dignity of grace and perfection. It has reduced man to a machine. It has no value for tender sentiments and human emotions. An individual is simply an economic man, blindly busy in pursuit of wealth. This economic dragon thinks himself as an intellectual giant. The only object of his life is to earn money by foul means. He (economic man) is the easy victim of temptation. This temptation is actually the root cause of his fall. Tagore does not welcome it in our Indian way of our life. The ultimate solution of his menace should be that our life be simple in its outer aspect and rich in its inner gain. Let not our civilization be based on economic exploitation and conflict. On the other hand, our economic system should stand on the solid rock and social cooperation and equitable distribution of wealth. Like our ancestors, we should have faith in the human soul.

 Tagore's literary reputation is disproportionately influenced very much by regard for his poetry; however, he also wrote novels, essays, short stories, travelogues, dramas, and thousands of songs. Of Tagore's prose, his short stories are perhaps most highly regarded; indeed, he is credited with originating the Bengali-language version of the genre. His works are frequently noted for their rhythmic, optimistic, and lyrical nature. However, such stories mostly borrow from deceptively simple subject matter — the lives of ordinary people.

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